Proceeding of DRHA (Digital Research in the Humanities and Arts), University of Turin 10-13 September 2023.
This special issue of MIMESIS JOURNAL, edited by Gabriella Giannachi, Letizia Gioia Monda, and Antonio Pizzo, under the direction of Alessandro Pontremoli, offers an extensive and diverse collection of over 50 contributions. This remarkable volume reflects the rich and vibrant participation the conference received, showcasing innovative perspectives and interdisciplinary approaches.
Editorial
- DRHA Conference in TurinAntonio Pizzo, Gabriella Giannachi, Letizia Gioia Monda9-10
The Documentation, Conservation, and Sharing of Cultural Heritage
- The Documentation, Conservation, and Sharing of Cultural HeritageGabriella Giannachi13-27
- From Digital (Art) Curation to Networked Co-CuratingAnnet Dekker29-41
- The Rumor UnderneathA Feminist Approach to Performance-Based Art ConservationIrene Pipicelli43-54
- Giacomo Verde’s ArchiveAnna Maria Monteverdi55-63
- FORMA. Representing Space.Performance, Documentation, and Immersive Archive.Diego Schiavo65-28
- The Value of ChoicesThe DIAL ProjectRaffaella Tartaglia79-85
- Digital Valorisation of Cultural MemoriesThree Case Studies in the Emilia-Romagna RegionFederica Collina, Francesca Fabbri87-93
- Participatory Experiences as a New Way to Access Conservation Data in Museum ContextsManuele Veggi, Sofia Pescarin95-102
- Digital Resources for Manuscripts: Between Fragmentation and Development ProspectsChiara Senatore, Roberto Rosselli Del Turco, Paola Pisano104-118
- DARIAH.it: Data Integration Strategies and Solutions for Digital Resources Management and Research in the Arts and HumanitiesAlessia Spadi, Emiliano Degl’Innocenti, Carmen Di Meo119-134
- Use, Reuse and ValorisationA Web App for the Italian Cultural HeritageGiulia Fabbris, Alessandro Bertozzi135-149
- Grandmother, Mother, Daughter: A 19th Century Egyptian InheritanceExploring the impact of archival storytelling through a site-specific spatial augmented reality exhibit in a private historic house.Sally Ann Skerrett151-167
- The Distribution of the SensibleFlavia Dalila D’Amico169-176
- Sensoriality, Art and Scenographic Culture in the 16th-18th CenturiesAn interactive and Inclusive Online ExhibitionCarmen González-Román177-184
- Between ScenariosTraces of Customs in Tullio Victorino’s PaintingsElaine Karla de Almeida185-198
- Challenges and Opportunities for the Digital Enhancement of Religious Cultural HeritageA Proposal for the Arca di San Domenico in BolognaMelissa Macaluso199-213
- The Digital ContentAn Opportunity to Enjoy CollectionsLara Corona215-227
- Integrating AI in MuseumsA New Phase in Museum TransformationYael Eylat Van Essen229-242
The Digital Performance of Cultural Heritage
- PerformanceAntonio Pizzo245-259
- The Re-use of the Classics as Intangible Cultural Heritage:The “Dead Centre” CaseAndrea Malosio261-266
- Reinventing and Relocating OperaDigital Creativity and Opera Heritage in the Intermedia Project by Davide Livermore and D-WokGiulia Anastasia Carluccio, Stefania Rimini267-275
- The Digital Upgrade of Opera TheatreIntermedial Dramaturgies and Technological Visualities in Fanny & Alexander’s SpectaclesLaura Pernice277-291
- The Dramaturgies of Volumetric CaptureLee Miller, Bob293-304
- Theatrical Characteristics Behind Immersivity Through the Idea of “Arche-Screen”:A First Case StudyFrancesco Melchiorri305-318
- Orchestra in Digital TransformationExpanding Perceptual Possibilities of Classical Music with a Hybrid Performance FormatLara Perski, Renate Buschmann319-329
- Virtual and RealIdeas and Tools for an Enhanced Theatre in an Empathic DirectionGiorgia Coco337-337
- Between the White Box and Ethics: Social Knowledge and Ecological Communication in Three Participative Artworks by Salvatore Iaconesi and Oriana PersicoLuca Befera339-353
- Inês de Castro in Scenic and Performative VisionsStudies on the Digital Collection of the Museu Nacional do Teatro e da Dança of PortugalMichele Augusto356-368
- Digital and/or Analogue?Notes on the Exhibition Display from Post Zang Tumb Tuum. Art Life Politics: Italy 1918-1943 to 1923: Past FuturesMassimo Maiorino369-377
- Art through WikidataA Digital Curation PerspectiveToni Sant, Enrique Tabone379-389
- Sounding the MuseumThe Problematic of the LoudspeakerDavid Prior391-397
- & I, the Moment of being Dis-Stance TogetherResearch into Online Performance Design for the Interplay between Intangible and Tangible Cultural HeritageYi-Chen Wu399-412
- Tradition Upgraded, ICH Redefined Through InnovationThe Case of a Kun Qu Opera Costume Redesigned Embedding Kinetic FunctionalitiesIvan Parati413-420
Strategies of Digital Engagement for Cultural Heritage
- The Digital Engagement: An Approach to Design the Ecology of Post-Digital PerformancesLetizia Gioia Monda423-434
- New Frontiers for Museum Spaces in the Phygital Dimension:What Digital Technology Can DoAlessandra Miano435-441
- Cultural Heritage and MediationThe Use of ICT in the Communication of the Artistic Layers of the Church of Saint John the Baptist of Foz do DouroTiago Cruz, Marisa Pereira Santos443-456
- Visiting a Neighborhood of Medieval Silves Using Virtual Reality and Non-Player CharactersRui Antunes457-470
- Digital Heritage and Its Implications for Global Citizenship EducationAmira Ahmed, Aleksandra Dulic471-485
- The Archeologies of Future HeritageCultural Heritage, Research Creations and YouthDr. Adahl, Dr. Träskman487-497
- Exploring Symbolic Narratives in Virtual SpacesLeveraging Curiosity-Driven Design and the Attention-Value Model for Educational VR Museum ExperiencesShirin Hajahmadi, Seyedali Ghasempouri, Gustavo Marfia499-511
- Digital Fabrication for Cultural Heritage EnhancementA Tale of Three ProjectsQuang Huy Nguyen, Marialetizia Tramontin, Marianna Belvedere513-525
- Authenticity, Risk and Co-ProductionImmersive Digital Media in Decolonial Heritage PracticeDominique Bouchard527-542
- Bathing in Glitter, Swimming in Neon Lights, Dipping in Cloudlike Ball PitsThree Case Studies to Delve into the Instagram Museums EraCarola Del Pizzo543-555
- Should Holograms Be Displayed Next to Papier-Mâché Models?Reflections on the Conflict of the Pre-Digital and the Post-Digital MuseumArgenis Ramirez Gomez, Claire Bailey-Ross557-563
- Physical Spaces for Virtual RealitiesForging Legitimacy of Immersive Social DocumentariesAnja Boato565-576
- Coming (OUT) the MuseumCinematographic Engagements through Outfest’s LGBTQI+ Arts and Media Virtual MuseumGiovanna Santaera577-584
- Toward a New Culture for Immersive and Participatory ProjectsPedro Medina Reinón585-596
- Digital Curatorship Practices for Fashion-Heritage ExperiencesFederica Vacca, Angelica Vandi597-608
- Participation and Inclusion with Digital National CollectionsCo-Designing the Sloane LabAlda Terracciano, Julianne Nyhan, Andrew Flinn609-616
- Seeking AttentionExhibition-Related Practices As Sites of Attention Care in the Context of Digital Attention EconomiesRenata Pekowska617-623
- Engaged or Not Engaged, That Is the Question: The Impact of Duality on the Participatory Experience of Augmented- Reality Interventions in Cultural SpacesLiam Jefferies625-640
- Liveness in the MetaverseThe Dramaturgical Role of User-Experience Design in Online Digital PerformanceFederica Patti641-654
Abstract DRHA
- My Father’s Song: Interaction Design InstallationJoan Karlen657-658
- Guiding the “Authentic” Storytelling of Cultural Heritage in Virtual Reality and Extended Reality: A Trust FrameworkKe Zhao, Xiaoguang Wang, Yi Zhang, Qiyun Zhang659-660
- Peaceful PlacesAn immersive, partecipatory performanceMargherita Landi661-662
