Ever since the première of Il barbiere di Siviglia on 20 February 1816 in Rome’s Teatro Argentina, Rossini’s crazy barber has been racing to and thro – Figaro here! Figaro there! – with uninterrupted verve across the stages of the world. Hard-hearted scheming here encounters romantic yearning for love. Kirill Serebrennikov, the trail-blazing director of his generation in Russia, stages this classic as a modern game of hide and seek where everyone hides from each other and – above all – from themselves.
Il barbiere di Siviglia, Komische Oper, Berlin590
