Il mio amore smisurato per Ostermeier non mi fa essere obiettiva ma dopo averci regalato Nemico del Popolo, Woyzeck, Hamlet, Edda Gabler, Il matrimonia di Maria Braun dagli archivi dello Schubuhne; il 29 aprile serata in bellezza con BLASTED da SARAH KANE CAPOLAVORO!!!
COME GIA’ FATTO ALTRE VOLTE INVITO A FAR DONAZIONI AL TEATRO CHE COSi’ GENEROSAMENTE METTE ON LINE I PROPRI MATERIALI (ma dal sito ci sono anche racconti quotidiani on line dei membri della compagnia stabile) qua il link per le donazioni https://www.schaubuehne.de/en/seiten/spenden.html
https://www.schaubuehne.de/en/pages/online-schedule.html
SCHEDA:Il giornalista Ian e la giovane Cate entrano in una lussuosa camera d’albergo a Leeds. La loro relazione è finita da tempo, ma Ian desidera ancora Cate, lei lo rifiuta. Ha avuto pietà per lui che è malato terminale. Ian, con una pistola in mano, si sente inseguito, controlla porte e finestre. Minaccia e umilia Cate e la stupra di notte. Si scopre che la paranoia di Ian non è infondata perché un soldato entra nella stanza d’albergo. Fuori c’è la guerra, con tutta la sua brutalità e il potere distruttivo che irrompono nella stanza e nella vita di Ian.
Sabato 2 maggio è la volta di MILO RAU con REPETITION
Die Wiederholung (The Repetition)
by Milo Rau & ensemble
concept and direction: Milo Rau
German premiere 1st September 2018, Schaubühne am Lehniner Platz
Duration: appr. 105 minutes
One night in April 2012, outside a gay bar on a street corner in Liège, Ihsane Jarfi talks to a group of young men in a grey VW Polo. Two weeks later he is found dead on the edge of a nearby forest. He has been subjected to sustained torture and then brutallymurdered. The crime shocks and dismays the entire city which, in the wake of the closure of numerous industrial plants, is marked by mass unemployment and social unrest. How does a crime begin? With intent or by accident? What role does the audience play? What guilt is borne by the collective? Can a crime be at all reconstructed? And who will present it on stage? Together with the four actors Sara De Bosschere, Sébastien Foucault, Johan Leysen and Tom Adjibi as well as warehouseman Fabian Leenders and dog-sitter Suzy Cocco Milo Rau sets off on the trail of a serious crime in search of the elementary emotions which underlie the experience of the tragic: loss and grief, truth and falsehood, disaster and fear, cruelty and terror. Six professional and non-professional actors ponder the glamour and depths of life and theatre and slip into the roles of the protagonists involved in a brutal murder case: A manifesto for a democratic theatre of the real emerges.
With this production, Milo Rau is inaugurating the »Histoire(s) du théâtre« series, a playful long-term investigation into humanity’s oldest art form. With it, Rau and his team revisit a fundamental problem of their artistic work over the past 15 years: the question of the representability of violence and traumatic events on stage. It is an investigation into the heart of the human condition and a paean to the power of theatre.
